Compofactur provides you with support in making musical sources accessible, be it unpublished manuscripts or out-of-print editions. If required, a practical or critical edition may be prepared for concerts or recordings.
For a long time a preferred field of work of Matthias Spindler (MSp) is the musicological research and evaluation of archival sources along with the description of their creation history. His research priorities in the field of music philology focus on Canto fiorito as well as arrangements from the 18th up to the 20th centuries.
When asked MSp found, for example, first editions by female composer Cécile Chaminade in libraries in Bern, Paris and Unna. The results of the source research formed the basis of the choice of repertoire for the CD Mots d’amour with Anne Sofie von Otter.
Furthermore, during researches, MSp came upon an out-of-print arrangement for orchestra by Jacques Offenbach of Schubert’s Ständchen, corrected and edited the parts and made an adaption of this Lied for voice and orchestra. A version subsequently transposed by him was recorded by Thomas Quasthoff and the Chamber Orchestra of Europe under the direction of Claudio Abbado.
In the search for Bach arrangements for string quartet MSp discovered Fugues from the Well-Tempered Clavier for 4 and 5 voices arranged by Emanuel Aloys Förster – a world-premiere recording with the Emerson String Quartet!
Another example is the scholarly critical edition of Schubert’s Lied Der Doppelgänger in the version for voice and orchetra by Franz Liszt.
Researches led MSp to arrangements for gramophone recordings of the composer Robert Schollum of Lieder by Beethoven, Brahms, Liszt, Mozart, Reger, Schubert, Schumann, Silcher and Wolf, which are stored in the Austrian National Library (ÖNB) in Vienna.
Through further research MSp prepared an edition/transcription of Jules Massenet’s Ave Maria sur la Méditation de Thaïs, thus creating new repertoire.
Finally, the source research on the Genesis Suite should also be mentioned.